Attention, Eurovision fans! This week, Omar and Sahand from The EuroHub dive headfirst into the dizzying world of “Dizzy,” the UK’s entry by the captivating Olly Alexander. Get ready for a deep dive into a song that’s pure ear candy – a vibrant tapestry woven from 80s nostalgia, infectious energy, and a yearning for connection that transcends reality.
Will “Dizzy” leave us breathless with its catchy chorus and Olly Alexander’s undeniable stage presence, or will the repetitiveness hold it back? Join us as we dissect the lyrics, analyze the sound, and speculate on the potential for a visually stunning performance. Can “Dizzy” transform from a catchy bop into a truly unforgettable Eurovision moment? Let’s get dizzy with it!
Omar:
The first time I heard the chorus, “Won’t you make me dizzy from your kisses? Will you take my hand and spin me / ‘Round and ’round until the moment never ends?” it felt like a revelation. It captured a yearning I’ve always carried – the desire to be swept away by a love so powerful it transcends reality. The pulsing synths evoke a simpler time, a time when worries faded and the dance floor became a refuge. But “Dizzy” isn’t just about escapism; it’s about the dizzying, intoxicating feeling of connection, that moment when you lose yourself in another and the world around you melts away.
There’s a vulnerability in Olly Alexander’s performance that resonates deeply. He embodies the yearning of the lyrics, the search for a love that spins you on your axis and leaves you breathless. It’s a sentiment that transcends age and culture – the universal desire to be swept away by passion.
However, “Dizzy” needs a little extra magic to truly soar on the Eurovision stage. The song itself is a masterpiece, but the repetitiveness could benefit from a visually stunning counterpoint. Imagine a kaleidoscope of lights mirroring the song’s lyrical theme, a dazzling display that reflects the euphoria of love. Think choreography that embodies the dizzying feeling of surrender, and Olly commanding the stage with raw emotion. A creative and profoundly moving performance could improve “Dizzy” from a catchy bop to a truly iconic Eurovision performance for the UK.
Score: 8/10
Sahand:
While still remembering the massive closer that Mae Muller delivered us last year in Liverpool (oh boy, the atmosphere she created it that arena, words can’t describe), we need to move on and take a look on this year’s UK Eurovision entry. Olly Alexander, former member of the English pop band Years & Years, is representing the UK this year and ready to make us “dizzy“. Alexander’s offering is a synth-pop odyssey. A steady, pulsing bassline underpins a buoyant rhythm, playfully tugging at your attention as lyrics like “Make me dizzy for your kisses. Will you take my hand and spin me? Take me back to the beginning, again,” evoke a lovestruck haze. The energy is undeniably floaty, brimming with passion and devotion.
However, while some might find themselves swaying to the song’s smooth charms, it fails to truly captivate me. The track, in all its earnestness, lacks a certain edge, a spark to ignite excitement. Perhaps the (as-yet-unrevealed) staging will elevate the song. But I doubt that any kind of staging can compensate the weaknesses of the production itself.
Personally, I really don’t get the hype. Despite repeated listens, it fails to leave a lasting impression. It’s a pleasant, albeit forgettable, pop confection. It simply doesn’t grow on me. Sorry, UK – if you wouldn’t be automatically qualified due to being part of the Big 5, you would be a clear non-qualifier for me this year. That said, there’s no denying Olly Alexander’s charisma. Wishing him all the best!
Score: 3.5/10
Average: 5.75/10
Check out here all the other reviews we’ve been writing so far.
